This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

Two young lovers change the lives of their parents forever when the parents learn from the joyful experience of their kids, and allow themselves to again find their love.

Two boys discuss their friend's possible homosexuality.

Close friends Marcus and Holly begin their freshman year at a tough public high school in Baltimore County, Maryland. When Cassie, a well liked senior at the school, disappears suspiciously, both of their lives change forever. Together, will they find out what happened to Cassie? And after a dramatic confrontation, will any of them ever be the same?

A documentary-style look into the daily (or rather, nightly) lives of a group of vampires in Staten Island who have “lived” together for hundreds and hundreds of years.

An anthology film consisting of four segments, entitled "Hot Boys," "The Sleep Creep," "The Meat Man," and "Silver Bullets," each of which obliquely dramatizes an incident of sexual assault. The four stories take place in the same small American town on four different holidays: Halloween, Thanksgiving, Christmas and Valentine's Day. "What Fun We Were Having" screened publicly once at the 2011 Fantasia International Film Festival, but received no further distribution.

Alex's high opinion of himself isn't backed up by reality as he is unemployed and having trouble with his girlfriend. When he finally gets a job with the local council/municipality of Hudiksvall his life is about to change. Suddenly Alex finds himself the leader of a local theatre group of people with learning difficulties. Through their work together, Alex comes to appreciate that we all have our own talents which can grow if given the opportunity and support. "The Importance of Tying Your Own Shoes" is based on the work of the Glada Hudik Theatre whose performances have met with success in Sweden and internationally since it was formed in 1996.

70-something Melanie invites her once young and idealistic hippie friends for a long-overdue reunion where everyone is told they have inherited the cabin where they once lived together in a commune fifty years earlier.

Just eight days after the 2011 Great East Japan Earthquake, an NHK program began recording the messages of survivors. The program continues to this day, offering people a place to express their hopes and fears. We follow up with the survivors we've met over the years, and hear from people who were directly involved with the government's reconstruction policies. We examine what "reconstruction" means now, 12 years after the disaster.